Signly is an app which displays pre-recorded sign language videos on a user’s mobile, enabling better access to written content for d/Deaf sign language users. Signly can be used for trails, posters, leaflets and forms. Information regarding the app and links are here https://signly.co/
In future, museums will mainly be places of human encounters. Lingusio is more than just an audio guide. Inclusively created content and an unconventional design promote a lively interaction regardless of knowledge or skills. The guide not only recognizes the right of people with disabilities to equally take part with others in cultural activities, but […]
Guidelines issued by Government (2014) https://www.gov.uk/government/publications/inclusive-communication/accessible-communication-formats UK Association for Accessible Formats (2012) https://www.ukaaf.org/large-print/ Ability Net Guidelines https://www.abilitynet.org.uk/quality/documents/StandardofAccessibility.pdf RNIB Clear Print Guidelines http://www.psncorp.com/Downloads/RNIB_Clear_Print_Guidelines.pdf British Dyslexia Association Style Guide for people with neurodiversity (particularly dyslexia) https://cdn.bdadyslexia.org.uk/documents/Advice/style-guide/Dyslexia_Style_Guide_2018-final-1.pdf?mtime=20190409173949
Improving Access to Historic Buildings and Landscapes by Historic England https://historicengland.org.uk/advice/technical-advice/easy-access-to-historic-buildings-and-landscapes/
Barclays Access have recently produced a video called ‘Let’s Talk Accessibility’. It shows how accessible service delivery and workplace does not necessarily mean for disabled people only. Instead it shows how more inclusive practice can support more people and better service delivery for the organisation. https://www.youtube.com/watch?v=sIGTC1iJmnk
Disability Co-operative Network welcomes this important report on the State of Access in Museums in the United Kingdom by Vocaleyes We recognise with Vocaleyes there is some exciting and innovative work in museums, but there are still clear gaps to participation for disabled people, particularly people who are partially sighted or blind. Some key figures […]
Launched in August 2015, the Curious Ceramics backpack is the V&A’s first backpack aimed at children with visual impairments. The V&A offer a number of backpacks for families, but for this special sensory version they worked in close collaboration with Sense, the national deafblind charity, and Abigail Hirsch an artist and an educator with experience […]
“Oh, my goodness!” I said out loud. The sound startled me. And then I smiled. I had just experienced an induction hearing loop for the first time. Wow! This was an emotional moment, as most of my life I’ve struggled to understand presenters in public venues or meeting halls. But with the hearing loop installed in the […]
Have you ever stroked a fox, heard a polecat chatter, smelt otter dung or seen a stoat in ermine? Now you can experience the natural world like never before in an exciting new interactive exhibition at the Herbert Art Gallery & Museum. Delve into the Herbert’s collections and uncover the brilliance of the natural world […]
Terminology is important, because words reflect our attitudes and beliefs. However, some of the terms we tend to use may not reflect how some disabled people see themselves. Using the right words matters. This is not about ‘political correctness’ but using wording and language which disabled people and disabled people’s organisations working to promote the […]
Hello! I’m Edward Richards, a Deaf British Sign Language (BSL) user I set up my own graphic design company, specialising in inclusive and accessible communication. I have used interpreters for about the last 12 years and kept noticing that no matter the agency I used, the level of choice and quality of the service wasn’t […]
In response to the ongoing technological revolution, as well as the increasing competition from other leisure time activities, the Indianapolis Museum of Art (IMA) has recently undertaken a significant shift toward becoming a more visitor-centric institution. Key to this approach is the implementation of a more collaborative and participatory exhibition development process.
Along the course of the 20th century, museums created an identity crisis for themselves. One that has deeply influenced the way people perceive them, still today, and, consequently, their relationship with them.
Founded in 1889 as the first English gallery in a park, the Whitworth has been transformed by a £15 million development. This is a gallery whose visitor numbers have climbed spectacularly in the past five years, whose contemporary exhibitions programmes have given new life to international collections, and whose risk-taking curatorial team has gained global attention.
The root of the House of Memories training is to acknowledge and understand that an individual’s personal history and memory is of great value and significance. Museums are great at looking after memories and House of Memories is an imaginative education resource, increasing dementia awareness in communities and access to new skills and resources.
To create a series of multisensory interactive art works that respond to museum collections, to generate alternative ideas for museum interpretation, developed through art and electronics-based workshops by people with learning disabilities in collaboration with an interdisciplinary research team.