Materials and guidelines relating to multi-sensory work in museums and heritage organisations
Sensing Culture has been a three-year multi-partner project with the Royal National Institute of Blind People (RNIB) as the lead partner, and funded by £438,900 from the Heritage Lottery Fund (HLF) with one mission at its heart – to remove the barriers that prevent blind and partially sighted people (BPS) from accessing their heritage. It […]
Feeling the Future: Access to Arts and Culture for People with Visual Impairments tells how Eureka! has developed a series of sculpture workshops with partially sighted artist sculptor Lynn Cox and the artwork installation in February. There is also included Trizia’s recent visit to Bilbao in Spain with Traveleyes, which tells about tactile tours at […]
Launched in August 2015, the Curious Ceramics backpack is the V&A’s first backpack aimed at children with visual impairments. The V&A offer a number of backpacks for families, but for this special sensory version they worked in close collaboration with Sense, the national deafblind charity, and Abigail Hirsch an artist and an educator with experience […]
Have you ever stroked a fox, heard a polecat chatter, smelt otter dung or seen a stoat in ermine? Now you can experience the natural world like never before in an exciting new interactive exhibition at the Herbert Art Gallery & Museum. Delve into the Herbert’s collections and uncover the brilliance of the natural world […]
A multi-sensory storytelling project for special schools created by Peoplescape Theatre. In partnership with National Maritime Museum, Cutty Sark and Horniman Museums and Gardens. Funded by the Arts Council Peoplescape are a theatre education company working in London and Manchester. We work with all ages in schools, museums and community settings. […]
In response to the ongoing technological revolution, as well as the increasing competition from other leisure time activities, the Indianapolis Museum of Art (IMA) has recently undertaken a significant shift toward becoming a more visitor-centric institution. Key to this approach is the implementation of a more collaborative and participatory exhibition development process.
To create a series of multisensory interactive art works that respond to museum collections, to generate alternative ideas for museum interpretation, developed through art and electronics-based workshops by people with learning disabilities in collaboration with an interdisciplinary research team.